Composite 2

 The first completed composite demonstrated the first instances of synaesthesia in the film. This was to get an initial idea on how to represent the sound while researching the multimodal field. Now that has been realised, the final stint of work before completing the module is to create a more accomplished scene where the sound has built and the backgrounds and characters are more diverse. 

This is in progress but parts have been realised. Once this scene is completed, I will map out a more accurate timetable for the final process of production. This is for good timekeeping and discovering how long these processes may take in the coming months.

Run Cycle

The completed run cycle works well for composite. The layers are all separate so I can manipulate colour in line to background ongoings. The shadow moves in a smoke-like way which I am hoping will create match fluid sounds within the audio track. A few more expressions and running styles may be added to the loop further down the line to add dynamism to the cycle.

Scene 34/35/36 No Colour

At this point, this scene has many problems but transfers the atmosphere and actions in the scene. The layers aren't in order so I need to go back and edit the composite. In this process I have learned shortcuts between Adobe programmes and TV Paint. The process was a good learning curb to streamlining production.

I can update my schedule with a far more accurate idea of timings and feel much more confident that the film will be completed on time. As I will have completed 2 scenes for this trimester, both with different levels of sound representation, I am now able to map out the next 14 weeks of animation and have really come to realise the scope of the work through this module.

The updated scene with correct compositing will be up soon...