A few images from the latest composite:
Back layer for windows to light up to the music.
Here, I have done an exercise where I listened to the audio track made by my house mate made. Looking at background and character path, I have imagined the field of sound, much like Futurist paintings, and imagined a path for it to take. Using onion skin, this is a representation of the sound path. I have not added it to my final composite as I want it to be more detailed and colourful (an exercise I will tackle in the coming weeks).
This was a good exercise for thinking of the sound as a field and translating it into animation. This will get my practice in line for the research I am doing by translating sound and feeling into animation.
This is the final composite for one of the final scenes of the film. Comparing it to my other composite, it was far more complex and time consuming. The scope it has provided me however has been extremely useful. I have mocked up what I feel to be an accurate timetable of the next 14 weeks. It involves a strict background drawing session up until the 10th May where I get detailed line and colour work done. This is followed by animation leading up until July, taking 3 days for complicated scenes and 1 for simpler ones. By learning tricks and shortcuts on my chosen programmes, the production will be far more streamlined and manageable.
Link to schedule:
https://docs.google.com/spreadsheets/d/1ZCVRSeDfE6sV0UqSsJBcHP30WY51Lt92/edit#gid=756394758
No comments:
Post a Comment